Performances
- Antony & Cleopatra (1981)BBC TV, 1981, 2 hours, 50 minutes
Director: Jonathan Miller
Performers: John Paul, Jonathan Adams, Jane Lapotaire, Colin Blakely - Antony & Cleopatra (1983)TMW Media Group, 1983, 3 hours 9 minutes
Director: Lawrence Carra
Performers: James Avery, Sharon Barr, Michael Billington, Earl Boen, John Carradine, Timothy Dalton, John Devlin, Ralph Drischell, Anthony Geary, Anthony Holland, Barrie Ingham, Brian Kerwin, Walter Koenig, Dan Mason, Kim Miyori, Nichelle Nichols, Lynn Redgrave, Earl Robinson, Tom Rosqui, Ted Sorel, Alvah Stanley, Henry Sutton, Claude Woolman, Joseph R. Sicari,Jack Gwillim - Antony & Cleopatra (2005)Stratford Festival, 2005, 2 hours 44 minutes
Director: Barry Avrich
Performers: Geraint Wyn Davies, Yanna McIntosh, Ben Carlson, Tom McCamus, Sean Arbuckle, Ryan Field, Randy Hughson, Andrew Lawrie, Jamie Mac, Peter Hutt, Daniel Briere, Anthony Malarky, Brad Rudy, Karrack Osborn, Carmen Grant, Sophia Walker, Jennifer Mogbock, Deidre Gillard-Rowlings, Andrew Robinson, Stephen Russell; Sarena Parmar, Ijeoma Emesowum, Antoine Yared, Edward Benjamin Smith, Andre Morin - Antony & Cleopatra (2017)Royal Shakespeare Company, 2017, 3 hours 5 minutes
Director: Robin Lough
Performers: Josette Simon, Antony Byrne, Ben Allen, Lucy Phelps, Patrick Drury, David Burnett, Andrew Woodall, Joseph Adelakun, Dharmesh Patel, Sean Hart, Amber James, Kristin Atherton, Waleed Elgadi,Anthony Ofoegbu, William Bliss, Marcello Walton, James Corrigan, Luke MacGregor, Paul Dodds
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about "Antony and Cleopatra"
- Antony and Cleopatra (Masterplots)A brief synopsis and critical analysis of William Shakespeare’s Antony and Cleopatra
- Antony and Cleopatra -- Work OverviewsLiterature Criticism Online
Antony and Cleopatra: New Critical Essays by Call Number: UCF Main Library General Collection - 4th Floor -- PR2802.A837 2005NOTE: Online is limited to 10 Users
"This collection of thirteen original essays examines the performance, textual history, critical reception and analysis of Shakespeare's play from a broad range of contemporary approaches. The contributors cover a wide range of topics and utilize a diversity of scholarly methodologies, including textual and performance approaches, intertextual studies, and essays employing contemporary critical models, including feminism, psychoanalysis, new historicism, and postcolonialism. A substantial introductory essay provides important historical context and surveys major critical approaches to the play over the centuries."
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