Themed Experience

"Walkable City Rules is worth reading even for those of us who will never set foot in a planner's office. Like Walkable City, this book explains how a variety of laws and rules frustrate the person who wishes to get from one place to another on foot. But to a much greater extent than most books about walkability, this book tells readers what can be done to improve upon the status quo."

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This title of AD heralds a new era of exuberance in digital design.Having overcome the alienation and otherness of the cyber, having mastered the virtual qualities and protocols of the parametric,having achieved the intricacy and elegance of the digital, and having fully embraced the potential of 3D computer software and cad/cam manufacturing technologies, it is now time for architects to show off! Conjure up the extravagance of furniture design, the abundance of CGI in Hollywood, the profuseness of bio-techno ornamentation or the lavishness of Middle-Eastern and Asian super-urbanism. Exuberance not only celebrates new Baroque theatricality, formal sophistication and digital virtuosity; it also debates a plethora of joyful and intelligent ways in which experimental architecture manages to cope with the contemporary turmoil in global politics,economics and ecology.

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Whether created by established architects and artists or new talents, the examples in Utopia Forever are important catalysts for fundamental change and are radically shaping our notions of life in the future. The current projects and concepts from architecture, city planning, urbanism, and art collected here point beyond the restrictions of the factual to unleash the potential of creative visions. This inspiring work explores how current challenges for architecture, mobility, and energy as well as the logistics of food consumption and waste removal can be met. Text features by both architects and theorists give added insight.

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This global examination of boundary-pushing architecture challenges our perceptions of how buildings ought to look--and reveals how even the most unusual constructions can achieve iconic status. In this fascinating exploration of 100 controversial buildings, readers will discover not only how each building was constructed, but also the motivation behind its design, and the ensuing debates. Readers will learn why erecting the Longaberger Basket Company headquarters was no picnic; why the Guggenheim Museum in New York City inspired hate mail from artists who would later display their works there; and whether Chicago's Sears Tower or the Petronas Towers in Kuala Lumpur won the "spire debate," officially becoming the world's tallest building. Thematically grouping these buildings into categories that reflect their most pronounced features, architectural historian John Zukowsky discusses each structure in detail, interweaving relevant biographical factors and sociocultural influences that impacted the architects' distinctive designs. The result is a lively, generously illustrated synthesis of diverse architectural values, and a fascinating look at the past century's most innovative architects. From St. Louis's famous arch to the"Bird's Nest" Olympic Stadium in Beijing, readers will learn the rich and complex stories behind the world's more unconventional structures.

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New spaces for new learning--not just in kindergartens, schools, and universities. How well we learn is directly linked to where we learn. In our digital age, an enormous amount of information is easily accessible. Against this background and because lecture-style teaching is no longer popular, knowledge is inevitably passed on differently now than in previous times. Today, the spaces in which we learn in various phases and situations throughout our lives have to look differently than those in the past in order to meet our current educational needs. New spaces promote learning by inspiring us, providing us with helpful tools, and facilitating opportunities for productive cooperation and the exchange of ideas within groups. Learn for Life is a diverse collection of inspiring architecture and spaces that support progressive and collaborative models of acquiring knowledge. In addition to new interpretations of traditional places for learning including kindergartens, schools, universities, libraries, and educational centers, the book also features commercial buildings whose architectural innovation is redefining our understanding of what it means to develop professionally in offices, corporate headquarters, conference rooms, convention centers, and laboratories. Also included are more experimental projects such as flexible, informal, and temporary installations and exhibits that offer further perspectives on the rapidly evolving topic of how best to learn in the new millennium. The examples presented in Learn for Life also show how color, light, and the organization of space as well as playful elements and surprises can be used to support learning. In short, the work presented in this book makes clear that the creative use of architecture and interior design not only provides a new physical framework for acquiring knowledge, but also revitalizes and advances the process of learning as a whole.

This second edition of Theming of America is an analysis of American society in which the author, Mark Gottdiener explores the nature of social change since the 1960s as reflected in the "theming" of America--from Graceland to Dollywood, from Las Vegas to Disneyworld, from the Mall of America to your local mall. Nowhere can modern Americans escape the profusion of recognizable symbols and signs attached to virtually all aspects of our culture, constantly reminding us that we are on familiar and comforting ground."Just come in, friend, and buy; make yourself at home," these symbols seem to say, thus tying our media culture and the seductions of consumerism to the production of ingeniously designed symbolic spaces. Mark Gottdiener's book is the first to explore the origins, nature, and future of themed environments in our information-overloaded world. This second edition has been revised and updated.Gottdiener begins with a brief historical account of the shifting importance of themes in the construction of built space. He then evaluates the economic basis for the increasing reliance on symbols in the marketing of commercial enterprises and analyzes contemporary trends in themed restaurants, malls, airports, theme parks, museums, and war memorials. Final chapters are devoted to examining such critical issues as the disappearance of public space, the relation between themes and mass media industries, and the future of symbolic spaces.

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This work provides a comprehensive analysis of ten Balinese resorts and showcases the architectural style that marked the last 20 years of building in Bali. It shows how a culture tempering the tradition of old with the innovation of new has created buildings of beauty and exoticism.

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First published in 1996, The Eyes of the Skin has become a classic of architectural theory. It asks the far-reaching question why, when there are five senses, has one single sense -- sight -- become so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, it is a subject that has become all the more pressing and topical since the first edition's publication in the mid-1990s. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture's ability to inspire, engage and be wholly life enhancing. For every student studying Pallasmaa's classic text for the first time, The Eyes of the Skin is a revelation. It compellingly provides a totally fresh insight into architectural culture. This third edition meets readers' desire for a further understanding of the context of Pallasmaa's thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight and sensitivity of Pallasmaa's approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa's sketches and photographs of his own work.

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In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. Klingmann argues that architecture can use the concepts and methods of branding--not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square--prototypes and case studies in branding--to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown. But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations. How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.

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This book explores the nature of social change since the 1960s as reflected in the "theming" of America--from Graceland to Dollywood, from Las Vegas to Disneyworld, from the Mall of America to your local mall. Nowhere can modern Americans escape the profusion of recognizable symbols and signs attached to virtually all aspects of our culture, constantly reminding us that we are on familiar and comforting ground. "Just come in, friend, and buy; make yourself at home," these symbols seem to say, thus tying our media culture and the seductions of consumerism to the production of ingeniously designed symbolic spaces. Mark Gottdiener's book is the first to explore the origins, nature, and future of themed environments in our information-overloaded world.Gottdiener begins with a brief historical account of the shifting importance of themes in the construction of built space. He then evaluates the economic basis for the increasing reliance on symbols in the marketing of commercial enterprises and analyzes contemporary trends in themed restaurants, malls, airports, theme parks, museums, and war memorials. Final chapters are devoted to examining such critical issues as the disappearance of public space, the relation between themes and mass media industries, and the future of symbolic spaces.

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For some time now, the subject of cooperation in the context of development aid has featured in the education of architects. However, up to now there have hardly been any attempts to critically place the work of architects and urban designers in this context. The book highlights the architectural consequences of humanitarian actions on the basis of three case studies - in Port-au-Prince, the West Bank, and Nairobi. The authors analyze twelve projects in terms of typology and construction and establish a differentiated position in the discourse on short-term housing for emergency situations. They investigate the far-reaching effects of such architectural aid and supply architects, town planners, and NGOs with useful advice for future planning and design.

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One of the nation's chief architecture critics reveals how the environments we build profoundly shape our feelings, memories, and well-being, and argues that we must harness this knowledge to construct a world better suited to human experience. Taking us on a fascinating journey through some of the world's best and worst landscapes, buildings, and cityscapes, Sarah Williams Goldhagen draws from recent research in cognitive neuroscience and psychology to demonstrate how people's experiences of the places they build are central to their well-being, their physical health, their communal and social lives, and even their very sense of themselves. From this foundation, Goldhagen presents a powerful case that societies must use this knowledge to rethink what and how they build: the world needs better-designed, healthier environments that address the complex range of human individual and social needs. By 2050 America's population is projected to increase by nearly seventy million people. This will necessitate a vast amount of new construction--almost all in urban areas--that will dramatically transform our existing landscapes, infrastructure, and urban areas. Going forward, we must do everything we can to prevent the construction of exhausting, overstimulating environments and enervating, understimulating ones. Buildings, landscapes, and cities must both contain and spark associations of natural light, greenery, and other ways of being in landscapes that humans have evolved to need and expect. Fancy exteriors and dramatic forms are never enough, and may not even be necessary; authentic textures and surfaces, and careful, well-executed construction details are just as important. Erudite, wise, lucidly written, and beautifully illustrated with more than one hundred color photographs, Welcome to Your World is a vital, eye-opening guide to the spaces we inhabit, physically and mentally, and a clarion call to design for human experience.

This text explores architecture's role in the spatial construction of themed experience design, and provides a new architectural theoretical framework for its social interpretation.

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Creating Sensory Spaces celebrates spaces enlivened with sensual richness and provides you with the knowledge and tools necessary to create them. Drawing on numerous built case studies in ten countries and illustrated with over 85 full color images, the book presents a new framework for the design of sensory spaces including light, color, temperature, smell, sound, and touch. Bridging across disciplines of architecture, engineering, phenomenology and perceptual psychology, this book informs the design of buildings and neighborhoods that reclaim the role of the body and all the senses in creating memorable experiences of place and belonging.

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Five Ways to Make Architecture Political presents an innovative pragmatist agenda that will inspire new thinking about the politics of design and architectural practice. Moving beyond conventional conversations about design and politics, the book shows how recent developments in political philosophy can transform our understanding of the role of the architect. It asks: how, when, and under what circumstances can design practice generate political relations? How can architectural design become more 'political'? Five central chapters, which can be read alone or in sequence, explore the answers to these questions. Powerfully pragmatic in approach, each presents one of the 'five ways to make architecture political', and each is illustrated by case studies from a range of contemporary situations around the world. We see how politics happens in architectural practice, learn how different design technologies have political effects, and follow how architects reach different publics, trigger reactions and affect different communities worldwide. Combining an accessible introduction to contemporary political concepts with a practical approach for a more political kind of practice, this book will stimulate debate among students and theorists alike, and inspire action in established and start-up practices.

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Recent technological developments in biology, computation, cybernetics, engineering, industrial design, materials, and robotics allow architecture to evolve beyond static functionality and become an active participant--with the capacity to perceive, react to, and connect--with humans and the natural world. The first process-based guide by Michael Fox and Miles Kemp introduced interactive architecture in 2009, and the past few years have seen its prototypical potential unleashed, manifest in the eighteen inventive projects featured in this follow-up, the latest in our Architecture Briefs series. Interactive Architecture: Adaptive World illustrates how structures can process information, make observations, and utilize tools to translate natural systems and create seamlessly integrated environments, from data-driven light installations, responsive sculptures, and performative materials, to smart highways, dynamic spaces, kinetic facades, and adaptive buildings. Ambitious projects from around the world, including Abu Dhabi, Indianapolis, Los Angeles, New York City, San Francisco, Frankfurt, London, Paris, Sochi, and Zurich,are illuminated by photographs, diagrams, and renderings.

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The past two centuries have witnessed an increase in the commodification of tourist sites across the world. Everything from historical monuments to exotic holiday destinations has been redesigned and packaged for mass consumption. As a result, the histories of specific sites have been re-conceptualized. Some have been preserved and celebrated, while others have been left to decay. In this process, buildings, cities and entire countries have been remapped by tourism initiatives to serve political, cultural, economic and scholarly goals. Considering these profound transformations, Architecture and Tourism examines the reciprocal relationship between the modern practice of tourism and the built environment. It shows how photography, film and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior and literature are institutionalized for popular consumption in order to support larger cultural objectives. Drawing on case studies in Cuba, Ghana, Greece, France, Italy, Libya, Mauritius, Spain and the United States, Architecture and Tourism explores the touristic experience, representation and meaning of place within distinct cultural contexts. From the former sites of the slave trade on the Ghanaian coast to the urban renewal of Old Havana, from the honeymoon resorts in the Poconos to the postmodern spectacle of Bilbao, from the world's fairs of the 1930s to the colonialist encounters in Italian Libya, each chapter provides a provocative insight into the practice of tourism and the conception of place.

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This practical primer is a handbook for decoding a building's style, history, and evolution. Every building contains clues embedded in its design that identify not only its architectural style but also the story of who designed it, who it was built for, and why. Organized by architectural element (roofs, doors, windows, columns, domes, towers, arches, etc.), the book is roughly chronological within each section, examining the elements across history, through different architectural styles, and by geographical distribution. Additional chapters offer overviews of how architecture has been affected by geography, history, and religion, along with an illustrated timeline of architectural elements. Also included is a chapter on applied ornament and a handy introduction to naming each part of a building. All entries are accompanied by examples in the forms of period engravings, line drawings, and pictures. The extended captions make the book invaluable for anyone who has ever pondered the meaning or importance of a hipped roof, rounded doorway, or classical pediment.

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Architecture displays the values involved in its inhabitation, construction, procurement and design. It traces the thinking of the individuals who have participated in it, their relationships, and their involvement in the cultures where they lived and worked. In this way, buildings, their details, and the documents used to make them, can be read closely for cultural insights. Introducing the idea of reading buildings as cultural artifacts, this book presents perceptive readings by eminent writers which demonstrate the power of this approach. The chapters show that close readings of architecture and its materials can test commonplace assumptions, help architects to appreciate the contexts in which they work, and indicate ways to think more astutely about design. The readings collected in this innovative and accessible book address buildings, specifications and photographs. They range in time from the fifteenth century -- examining the only surviving drawing made by Leon Battista Alberti -- to the recent past -- projects completed by Norman Foster in 2006 and Herzog and De Meuron in 2008. They range geographically from France to Puerto Rico to Kazakhstan and they range in fame from buildings celebrated by critics to house extensions and motorway service areas. Taken together, these essays demonstrate important research methods which yield powerful insights for designers, critics and historians, and lessons for students.

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The debate surrounding hand drawing versus computer-generated imagery has become a hot topic. Having grown up with computers, today's interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or do not know how to sketch at all. Sketching, and the careful observation that it entails, is essential for the successful development of the next generation of designers. Forty-five step-by-step exercises take the student from the simple three-dimensional forms of furniture, to interiors, to complex building exteriors and cityscapes. Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views, and context. Exercises are illustrated with beautiful sketches specially created by the author. Sketching for Architecture and Interior Design is an indispensable and practical guide for students wishing to master the art of looking and sketching.

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Despite its importance to place-making, urban planning, and the environment,landscape design has often played an inferior role to architecture.Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological considerations,legislation, and new definitions of "scaping" have opened up exciting possibilities.Coinciding with heightened social sensitivities, advances in material application, data-driven mapping techniques, and digital technologies and construction methods, landscape designers are producing a new wave of work around the world, reshaping gardens, public squares, leisure areas, and industrial parks. Among the practices included in this survey are designers who have bridged modernism with newer forms (Emergent, West 8); architects whose work fuses with the earth's contours (Zaha Hadid, MVRDV);and a generation of designers only just emerging from universities.

An essential introduction to applying research for busy architects and designers The competitive design market and the need to create enduring value place high demands on architects and designers to expand their knowledge base to be able to digest and utilize multiple sources of information. Expected by their clients to be well versed on all aspects of a project, time-constrained architects and designers need quick responses in the face of daily challenges. As a result, these professionals must--more than ever--rely on, and apply, readily accessible information culled from sound research to gain a competitive advantage. The Designer's Guide to Doing Research serves as an introductory guide on the general concepts and processes that define "good" research. Organized logically with the practical tools necessary to obtain research for all facets of the designer's workflow, this book offers: Material written in an accessible format specifically for practitioners Reliable content by experienced authors--a noted environmental psychologist and an interior design educator who is also a practitioner and writer Tools for planning, executing, and utilizing research presented in an easy-to-follow format along with case studies, sources, and applications Written for all practices and people concerned with the built environment, from architects and interior designers to facility managers, landscape architects, and urban planners, this book serves as an invaluable starting point for gathering and implementing research effectively.

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Prototyping is an essential part of designers' repertoires, allowing them to test their projects from structural, aesthetic, and technical standpoints. Prototyping for Architects examines how architects are combining new digital design and fabrication technologies with traditional hands-on building techniques to gain more insight into the strengths and weaknesses of their designs.Beginning with an introduction charting the rise of prototyping in design history, this cutting-edge volume for students and professionals presents an extensive range of prototyping techniques, followed by a selection of 30 projects by leading contemporary international architects.Jane and Mark Burry explain how prototyping at a miniature scale helps communicate complex spatial ideas; how prototyping empowers the architect-designer to test and prove a building's feasibility; and how additive (3D printing) or subtractive (robotic milling) prototyping can lead to exciting new design possibilities. A reference section, which includes a glossary of technical terms, offers further information and clarification.

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The Power of Evidence to Create Design Excellence This practical, accessible book--for design professionals and students alike--is about design excellence and how to achieve it. The authors propose an evidence-based design approach that builds on design ingenuity with the use of research in ways that enhance opportunities to innovate. They show the power of research data to both reveal new design opportunities and convince stakeholders of the value of extraordinary work. A guide for all designers who want to earn their place as their clients' trusted advisor and who aspire to create places of beauty and purpose, the book demonstrates: An approach to applying evidence to design that neither turns designers into scientists nor requires large-firm resources The wide range of types of evidence that can be applicable to design and where to look for it Direct, practical application of the evidence-based design approaches in use today Provides tools to distinguish strong evidence that can improve design decisions from misleading assertions resulting from weak research Benefits of evidence-based design, including improved human and building performance Two featured case studies illustrate the theory and practice of evidence-based design. The work of the authors' 2005-2007 AIA College of Fellows Benjamin Latrobe Research Fellowship provided an empirical foundation for this book, and addresses the use of rigorous research methods to understand relationships between design choices and health outcomes. The California Academy of Sciences, designed by Renzo Piano Building Workshop, Chong Partners Architecture, and Arup, provides transparent evidence that enhances building technology performance in the context of a powerful design expression. In-depth interviews and case studies are clustered around three research categories: modeling, simulation, and data mining; social and behavioral science and the physical and natural sciences; and including cutting-edge use of neuroscience to understand human response to physical environments.

The completely updated step-by-step guide to¿capturing experiences in sketch format--regardless of artistic ability Recording your ideas and observations primarily in pictures instead of words can help you become more creative and constructive on the job, no matter what your level of artistic ability. Featuring completely new coverage of visual note-taking in a digital world, Visual Notes for Architects and Designers, Second Edition demonstrates how to make rapid, notational sketches that serve as visual records for future reference, as well as improve understanding and facilitate the development of ideas. It shows you how to expand your knowledge of a subject beyond what is gained through observation or verbal representation alone. You gain access to simple techniques for collecting, analyzing, and applying information. Crowe and Laseau examine the relationship between note-taking, visualization, and creativity. They give practical guidance on how to develop: Visual acuity--the ability to see more in what you experience Visual literacy--expressing yourself clearly and accurately with sketches Graphic analysis--using sketches to analyze observations Numerous examples demonstrate some of the many uses of visual notes. They help you develop a keener awareness of environments, solve design problems, and even get more out of lectures and presentations. The authors also discuss types of notebooks suitable for taking visual notes. If you want to develop your perceptual and creative skills to their utmost, you will want to follow the strategies outlined in Visual Notes for Architects and Designers, Second Edition. It is a valuable guide for architects, landscape architects, designers, and anyone interested in recording experience in sketch form.

A unique graphical guide for using architectural terminology to jump-start the design process This design studio companion presents architectural terms with special emphasis on using these terms to generate design ideas. It highlights the architectural thinking behind the terminology and helps readers gain a thorough understanding of space and form. Featuring double-page spreads with over 190 illustrated entries, the book fully explores, analyzes, and cross-references key elements and techniques used in architecture and interior design. Each entry first defines the common meaning of the term, then goes on to discuss in detail its generative possibilities. Scenarios involving the use of a design principle, or the way it might be experienced, further aid students in developing strategies for their own design. In addition, Language of Space and Form: Divides entries into five categories for quick access to concepts, including process and generation, organization and ordering, operation and experience, objects and assemblies, and representation and communication Addresses studio practice from the ground up, encouraging readers to develop creativity and critical thinking as they develop a design process Offers supplemental online learning resources, including exercises that correspond to the book A must-have reference for professionals and students in architecture and interior design, Language of Space and Form is destined to become a classic introduction to design thinking.

NOTE: Online access is limited to 9 simultaneous users.
The Essentials of Building Design--at Your Fingertips Fully updated with the 2009 IBC International Building Code, this practical guide delivers the key data you need in every step of an architectural project--from initial planning and estimating through design and completion. The Architect's Portable Handbook, Fourth Edition, provides the latest code and cost information, along with a wealth of easy-to-follow diagrams, charts, tables, and checklists for building materials, components, and assemblies. This is a must-have on-the-job companion for every design professional. Get practical coverage of: Land planning Grading and drainage Soils Site improvements Landscaping and irrigation Green architecture Concrete Masonry Metals Wood Thermal and moisture protection Doors, windows, and glass Finishes Specialties Equipment Interiors Assemblies Conveying systems Plumbing and HVAC Lighting and electrical

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This book examines the application of the principle of layering in architecture, its mechanics, possible application and meaning. Layering is widely used in the discussions of the 20th and 21st centuries architecture but rarely defined or examined. Layering bridges the tectonics of structure and skin, offers a system for the creation of different architectural spaces over time and functions as a design principle without hierarchy. Three types of layering are identified: a chronological sedimentation of planes materializing changes over time (temporal layering), the additive sequence of spaces (spatial layering), and the stratification of individual planes (material layering). Like a palimpsest, historic cities frequently reveal temporal layering and aspects of change over time, a condition familiar to archaeologists who study layer upon layer of remnants of civilisation, including architectural remains and urban organization. In historic cities, one can read at least the most recent layers to determine a physical chronology of the city's history; contemporary architects add strata of the 21st century. Cities are composed of several layers, offering a complex understanding of time in which a view of the present includes also the perception of the past. At a building scale, layers can be part of the spatial composition, multiple elements of walls, the skin, the structure or decorative and narrative elements. Just as the position and order of geological strata contain information related to their age, formation, and origin, the position and form of architectural layers come with information about their function, intellectual scope, and provenance. The possible elements of such an architectural strategy include materials, light, water, and color as well as associations, memories, and analogies embedded in the layers or in the voids between them. Material layering is based on a perceived separation of spatial enclosures into floor, wall, and ceiling or roof elements and combinations thereof. Individual elements may consist of multiple planes fulfilling a series of specific functions. The architectural enclosure can represent the physical wrapper of a building and might transport the structures narrative, tectonic information, cultural expression, the architects design intent, and other topics that might be embedded.

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The book is divided into two parts: the first is about the nature of architecture, describing what is necessary. The chapter headings define the basic requirements that, to varying degrees, must always be met, such as facilitating activity, moderating climate, relating to context, respecting materials and structure, as well as conveying meaning and delight. The second part is about the nature of designing and focuses on what the designer brings to the task to arrive at a human and poetic synthesis. These different ways of thinking are elusive and not necessarily conscious; they include the use of reason and intuition, the value of experience and precedent, the role of metaphor and the search for harmony. For students this is difficult, because there is no ‘right’ way of designing.

The Power of Design provides a compact introduction to the current eleven UNESCO Cities of Design. Each individual city is briefly portrayed with important statistical information and detailed facts relating to its development of design. The highly varied approaches of the individual cities in their use of design as an engine for current and future development are then described in more detail through concrete and well illustrated examples. In addition, there are interviews with designers, activists, organizers and critical observers, which the author conducted either during his travels or through extensive correspondence. The result is a richly illustrated and handy book which combines hard facts with personal impressions and points of view.

In some post-industrial areas, re-designing structural interiors in an attractive way is becoming increasingly important to community members, as it helps promote local pride and a higher quality of life. Design Innovations for Contemporary Interiors and Civic Art examines novel techniques in structural designs in various cultural and social scenarios. Featuring innovative application methods, emergent trends, and research on tools being utilized in the field, this publication is a pivotal reference source for designers, researchers, practitioners, and professionals interested in interior design, urban culture, and structural aesthetics.

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Lighting is a key feature of almost all interiors but it is often treated in a rather superficial manner in most books. This volume features more than 40 recent international projects where the lighting is the defining design feature. Each project includes detailed plans, diagrams, sketches, and CAD visuals to demonstrate the lighting techniques involved. These are accompanied by an explanatory text that looks at the original brief, the design concept, and the detailed specification of the light fittings. A bonus CD includes technical drawings from the book. This book will be an invaluable resource for professional interior designers and architects in what is a fast-changing field.

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Color is inextricably linked with architecture; as a design element and also as an inherent quality, it characterizes the shape and texture of the built fabric. The book presents extraordinary color schemes, both in terms of technology and aesthetics, for ground-breaking architecture with a wide spectrum of functions: from apartment to concert hall, from flagship store to city park. The focus is on the works of the three architects Frank O. Gehry, Jean Nouvel and Wang Shu. This is expanded by the works of other practices such as BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito and SANAA. This publication presents a compendium that documents color schemes in architecture in the context of very different aesthetic approaches. The large-format photographs by Iwan Baan, Christian Richters, Roland Halbe and Philippe Ruault fascinate with their clarity and presence.

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This innovative and unique book is a visual guide to the buildings that surround us, naming all the visible architectural features so that, unlike other architectural dictionaries, the reader doesn't have to know the name before looking it up. Clear line drawings and extensive colour photographs illustrate each of the main building types, from forts to churches, stately homes to skyscrapers. The individual structural elements and materials common to all buildings are then explained, whether in Classical, Gothic or Modernist style, before delving into the inner architectural details such as doors and windows, roofs and staircases. A comprehensive glossary completes the book. An original and accessible take on the architectural dictionary, this book takes you on a visual tour of the buildings around us, and will be useful not only to students but to anyone with a general interest in architecture.

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Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau's glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright's wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor's use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.

The sacred place was, and still is, an intermediate zone created in the belief that it has the ability to co-join the religious aspirants to their gods. An essential means of understanding this sacred architecture is through the recognition of its role as an 'in-between' place. Establishing the contexts, approaches and understandings of architecture through the lens of the mediating roles often performed by sacred architecture, this book offers the reader an extraordinary insight into the forces behind these extraordinary buildings. Written by a well-known expert in the field, the book draws on a unique range of cases, reflecting on these inspiring places, their continuing ontological significance and the lessons they can offer today. Fascinating reading for anyone interested in sacred architecture.

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Sacred buildings are among the oldest types of edifice produced in human civilisation. The construction of churches, synagogues, mosques and other building which are used for sacred, ritual or ceremonial acts is still considered the most prestigious of construction tasks. Next to functional demands, which are heavily ritualized in liturgical practice, the architects must concentrate particularly on the aesthetic expression. The space must operate as a framework for belief, with specific reference to the religion to be served. It must also be an appropriate stage for the experience of the divine service and concomitant spirituality. This volume shows exceptional examples of buildings from the various religions and denominations which often attain the status of works of art.

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Shops are the one place where the stars of the world of architecture, from David Adjaye to Rem Koolhaas and Zaha Hadid encounter the people who make the world of design turn, from Jurgen Bey to Tom Dixon, Ingo Maurer, or Philippe Starck. This book is full of the most recent retail spaces in the world, ranging from astonishing shopping centers by Daniel Libeskind or the young Swiss firm HHF to interactive store windows or a tiny jewel-like chocolate store in the heart of Paris. A pop-up store for Dr. Martens shoes, a unique newsstand designed for London by Thomas Heatherwick or flagship stores for the likes of Armani, Balenciaga, or Joseph are all part of what makes Retail Architecture one of the most exciting and dynamic areas of contemporary creativity. Apple computers, Uniqlo clothes, or Nike shoes can all be found here in a spirit of perfect harmony with the best that today's architecture and design can offer. Books, jewelry, fine foods and handbags are glorified and amplified by glass, steel, and the latest, most sophisticated techniques in design and branding. This is where Peter Marino meets Karl Lagerfeld, and where Yoshioka Tokujin breathes life into Hermès scarves. Ephemeral by design in many cases, Shopping Architecture Now! is also the place where the makers of dreams find a solid home.

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Gone are the times when offices were either huge factory-like spaces or tiny cell structures that were unimaginatively designed. Nowadays, they represent the identity of a corporation while also offering an inspiring workplace at the same time. Office design has developed into a complex discipline, which always tries to find new solutions to meet the needs of employees working in a diverse environment while supporting their motivation and productivity. This volume shows examples from around the world that not only incorporate the defining characteristics of an employer but also apply the latest findings of workplace research. The results are veritable office landscapes, ranging from the creatively designed work space of a start-up via a multi-functional subdivided office without fixed work stations, to elaborately equipped and prestigious office spaces. All projects contribute to understanding the future of office life.

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The dwelling is the most fundamental building type, nowhere more so than in the open landscape. This book can be read in a number of ways. It is first a book about houses and particularly the theme 'dwelling and the land'. It examines the poetic and prosaic issues inherent in claiming a piece of the landscape to live on. It could also be seen as a kind of road map, full of both warnings and encouragements for all those involved with, or just interested in, the making of houses. That the domestic realm and the landscape can be vehicles for significant architectural insights is hardly an original observation. However this book seeks to bring the two topics together in a unique way. In exploring a building type that lies on the cusp of what is commonly understood as 'building' and 'architecture', it asks fundamental questions about what the very nature of architecture is. Who indeed is the architect and what is their role in the process of creating meaningful buildings?

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The Miami Beach-based architecture and interior design firm presents luxurious private residences from Orlando to Key West, reinterpreting Florida styles from Mediterranean to Art Deco. nbsp; Though the husband-and-wife team of Taylor & Taylor travel widely to find design inspiration in the U.S., Europe, South and Central America, and the Caribbean--they always retain their first love: the historic architecture of Florida itself and its blend of rustic and romantic, from Italianate palazzos to Art Deco hotels and Key West's bungalows. nbsp; Classic Florida Style presents ten coastal residences in resplendent photography to match the tropical hues and lush natural surroundings of the sunshine state. Design lovers will see not only homes that integrate orange groves and sunsets reflecting off Biscayne Bay, but also gorgeous interiors that take full advantage of Florida's crystalline light--superbly crafted spaces in which the ocean breezes can almost be felt ruffling the curtains. Locales range from a private island near Key West, to Coral Gables, Fisher Island, and Lake Thonotosassa, northeast of Tampa--even the South Carolina home of one Florida-minded football giant, a former quarterback for the Miami Dolphins. nbsp; Whether drawing on the architecture of British Colonial Bermuda, or the Spanish-inspired designs of George Washington Smith and Wallace Neff in California, each home takes full advantage of glamorous indoor-outdoor living and a seamless blend of native Florida materials and singular antiques. nbsp;

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Restaurant designs and food concepts that are driving current trends in interior design and architecture to new heights.

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Much of the built world is designed around food; for storing, producing, transporting, selling, serving and eating. We recognise the regeneration of a neighbourhood through its new cafes, restaurants and grocery shops. This title features new restaurants in London, New York, Sydney and Tokyo; the design of markets; provocative essays by architects, historians, and social scientists; and interviews with designers and entrepreneurs.

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"Theme Restaurants invites you on a tour of the new styles of restaurants, and shows how they are designed and marketed. Within this book's pages, vivid photographs, detailed floor plans, and revealing text combine to explore the strategies behind successful hot spots - from the special effects simulating undersea immersion at Dive!, the music and memorabilia of Detroit's heyday at Motown Cafe, to the haunted-house aura of the Jekyll & Hyde Club. Additionally, the book includes information on the latest interior trends, from cigar rooms to recreations of classic restaurants from bygone eras." "The unique visions of internationally renowned designers and architects such as Joe Meisel, Jordan Mozer, Adam D. Tihany, and scores of others are displayed in conceptual architecture which continues to transform the restaurant industry the world over."

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"Entertainment Dining spotlights a wide array of design solutions for those who seek new and exciting restaurant experiences, where having a meal is not the only aim." "See how Marvel Mania in University City, CA, has become a three-dimensional comic book universe by use of over-scaled, cut-out images of superheroes; a Morph Wall; sound effects; and "thought ballons that hover over diners' heads. Nostalgia reigns at Fuel Pizza Cafe in Charlotte, NC, a 1930s Pure Oil, Tudor-Style service station transformed into a pizza-by-the-slice eatery." "Entertainment Dining also features Elvis Presley's Memphis restaurant, the Harley Davidson cafe, Joe's BeBop/Jazz Cafe, Cafe Spiaggi, Alcatraz Brewery, and many more facilities that combine exciting entertainment with exceptional dining - both fancy and down home."

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A leading authority on store design and visual merchandising, Martin M. Pegler has worked as a designer, manufacturer, display person, store planner and consultant during his 40 years in the business. He teaches store planning and visual merchandising at the Fashion Institute of Technology in New York City

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Shoplifter! explores innovative store concepts and provides expert insights into how brands can engage with their customers in novel ways.Disrupted by online shopping, shops and brands find themselves in a permanent battle over the most innovative store concepts, striking window displays, and genius presentation of goods, to breathe new life into the traditional retail flow.This creative struggle has heralded a golden era of retail design.Brand experiences now stretch far beyond the end product; the dialogue between a shop and its consumers is becoming increasingly important. Companies are tapping the talents of top designers and using them in sophisticated flagship stores or unexpected temporary venues. Shoplifter! showcases the most outstanding concepts across a number of industries, introducing the most innovative brands with rich, in-depth case studies.

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"Visual merchandising is at the heart of retail design - the fine art of persuasion. Window dressing is now only a small part of display and visual merchandising, which encompasses the in-store 3D environment, graphics, audiovisual media and point-of-purchase material - all the way to the store as total embodiment of the brand." "From an icicle window display made of resin to bespoke acid-colored glass shelving; from one small figurine as a display to actors playing football in "live windows," visual merchandising is always breaking new molds in style, lighting and use of materials." "By contrasting different international approaches to visual merchandising, this industry insider's view reveals the disparate ways in which retailers chase and stimulate that elusive X-factor that pushes customers towards a purchase: Retail Desire."

Introduction -- Playing with Provocations -- Sketching the Polyphonic Design Space of Theme Parks -- What is Pleasure? -- Games Are Just a Bit of Fun -- Designing for Joyful Movement -- Reorienting Geolocation Data through Mischievous Design -- Improv for Designers -- The Thing and I (Spring of '17 Remix) -- From Evaluation to Crits and Conversation -- The Un(Enjoyable) Experience of Online Dating -- Playful Research Fiction: A Fictional Conference -- Slow, Unaware Things Beyond Interaction.

Personal data is increasingly important in our lives. We use personal data to quantify our behaviour, through health apps or for 'personal branding' and we are also increasingly forced to part with our data to access services. With the proliferation of embedded sensors, the built environment is playing a key role in this developing use of data, even though this remains relatively hidden. Buildings are sites for the capture of personal data. This data is used to adapt buildings to people's behaviour, and increasingly, organisations use this data to understand how buildings are occupied and how communities develop within them. A whole host of technical, practical, social and ethical challenges emerge from this still developing area across interior, architectural and urban design, and many open questions remain. This book makes a contribution to this on-going discourse by bringing together a community of researchers interested in personal informatics and the design of interactive buildings and environments. The book's aim is to foster critical discussion about the future role of personal data in interactions with the built environment. People, Personal Data and the Built Environment is ideal for researchers and practitioners interested in Architecture, Computer Science and Human Building Interaction.

This book provides readers with a snapshot of cutting-edge methods and procedures in industrial design, with a particular focus on human-centered and user-experience design, service design, sustainable design and applications of virtual & augmented reality. Reporting on both theoretical and practical investigations aimed at improving industrial design through interdisciplinary collaboration, it covers a wide range of topics - from design strategies to product research and planning, exhibit design, as well as new materials and color research. Based on the AHFE 2018 International Conference on Interdisciplinary Practice in Industrial Design, held on July 21-25, 2018, in Orlando, Florida, USA, the book offers a timely guide for industrial designers, production engineers and computer scientists.

Mixed Reality is moving out of the research-labs into our daily lives. It plays an increasing role in architecture, design and construction. The combination of digital content with reality creates an exciting synergy that sets out to enhance engagement within architectural design and construction. State-of-the-art research projects on theories and applications within Mixed Reality are presented by leading researchers covering topics in architecture, design collaboration, construction and education. They discuss current projects and offer insight into the next wave of Mixed Reality possibilities.

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Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world's architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice -- and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.

In an age of increasing complexity, diversification and change, customers expect services that cater to their needs and to their tastes. Emotional Engineering vol 2. describes how their expectations can be satisfied and managed throughout the product life cycle, if producers focus their attention more on emotion. Emotional engineering provides the means to integrate products to create a new social framework and develops services beyond product realization to create of value across a full lifetime. 14 chapters cover a wide range of topics that can be applied to product, process and industry development, with special attention paid to the increasing importance of sensing in the age of extensive and frequent changes, including: Multisensory stimulation and user experience -- Physiological measurement -- Tactile sensation -- Emotional quality management -- Mental model -- Kansei engineering. Emotional Engineering vol 2 builds on Dr Fukuda's previous book, Emotional Engineering, and provides readers with a holistic view of its research and applications, enabling them to make strategic decisions on how they can go further beyond product realization. It is recommended for all pioneers in industry, academia and government, who are making tremendous efforts to work with their customers to create value.